UNFOLDING 淵瀬
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1
1
A collection of fifteen hand-dyed textile artworks experimenting
with the movement of water and
the connection between patterns and folds.
1
Katazome (stencil dyeing using
rice paste on silk), acid dyes
80X112cm
Tokyo, 2018-2019
UNFOLDING 淵瀬
___
1
1
A collection of fifteen hand-dyed textile artworks experimenting
with the movement of water and
the connection between patterns and folds.
1
Katazome (stencil dyeing using
rice paste on silk), acid dyes
80X112cm
Tokyo, 2018-2019
UNFOLDING 淵瀬
___
1
1
A collection of fifteen hand-dyed textile artworks experimenting
with the movement of water and
the connection between patterns and folds.
1
Katazome (stencil dyeing using
rice paste on silk), acid dyes
80X112cm
Tokyo, 2018-2019
YAEL HARNIK
Sequence
Stencil paste-resist dyeing (Katazome), silk, indigo, wood panel
Dimensions: 17×22 cm X 24
Year: 2021
The work is composed of twenty four pieces, each different from the others in the fold and hence in the motion of its stripes. In each piece, the weft thread is taken out in different areas. In Sequence, repetition is examined in regards to temporality, as expressed through the gradient hues of indigo dye. In indigo dye, the specific shade is determined both by the amount of time that the fabric is dipped in the dye and by the number of times the dipping is repeated. In Sequence, all the pieces were dipped for the same amount of time, but not the same number of times. The work exemplifies inner movement: it gradually raises from the lightest shade of pieces that were dipped only twice to the darker shade of pieces that were dipped six times.
